Showing posts with label Niger. Show all posts
Showing posts with label Niger. Show all posts

19/12/2010

The Festival in the Desert / Le Festival au Désert (2003)

«It’s the unlikeliest place to imagine a festival, in the Sahara, not far from the Malian town of Timbuktu. But that’s the home of the Festival in the Desert, which celebrated its third anniversary in 2003. While it attracts international talent, the real focus is on artists who make their homes in the area, often of the nomadic Tuareg people. But there are others who live locally, like the legendary guitarist Ali Farka Toure, whose village of Niafunke lies just 40 kilometers away, and whose “Karaw” here is a masterpiece of desert funk. But so many of the bands here mine a wonderfully dark, spare, bluesy groove, like Tindé, or Tinariwen, whose “Aldachan Manin” has a muscular suppleness. Oumou Sangare, one of the great singers from Mali’s southern Wassoulou region, brings plenty of raw soul to “Wayena”, and kora genius Ballake Sissoko collaborates with Italian pianist Ludovico Einaudi for a fascinating piece. America’s Blackfire connect the dots between the Sahara and the Arizona deserts, although their punk-inflected rock is a little out of place, but still powerful. Lo’ Jo, one of the festival’s instigators, team up with Malian Django for a storming version of their “Jah Kas Cool Boy”, and with “Win My Train Fare Home”, Robert Plant and Justin “Scarecrow” Adams offer a circular blues that fits in perfectly with the other artists. Every performance is outstanding, but even more, they communicate the open nature of the festival, the feeling of what it was to be there on those nights and days in January 2003. And that is what makes this very special indeed, lifting it far above most live albums. This one definitely has the magic, making it simply one of the best live albums ever released.» (AMG)

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04/04/2008

Mamar Kassey - Alatoumi (2000)

A wonderful band from Niger, which recently I had the pleasure to see live. Enjoy!

«Mamar Kassey is a group from Niger that presents original songs and music based on the traditions of the different people of that country, which includes the Sahel, the Peul, the Songhaï, the Djerma, and the Haoussa. As with all African music styles, rhythms, dance, and songs are the heart of this very colorful music. The blending of native Sahelian, Hausa, Fulani, Bambara, and Songhai musical traditions results in a driving sound that will sound at least a bit familiar to fans of such Mali artists as Ali Farka Toure and Boubacar Traoré. There is a modernized version of these traditions, yet a traditional and typical character is maintained. Mamar Kassey builds their arid, hypnotic dance grooves with traditional acoustic folk instruments and call-and-response vocals, relying less upon rippling electric guitar leads, though there are a few. This expert juxtaposition of the old and the new suggests that Mamar Kassey is a band with a genuine vision, which makes this CD the most appealing, as well as being the most original. A must for lovers of African music.» (AMG review, edited)

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