Rubén González - Introducing... (1997)

«Rubén González was one of the last of Cuba's great Afro-Cuban piano players. Although he had played and recorded with the band led by Enrique Jorrín, the creator of the cha-cha, for a quarter of a century, he had retired from music by the mid-'80s. Things began to change when González recorded with the Afro-Cuban All Stars in 1996. The album, A Toda Cuba Le Gusta, released the following year, helped to inspire an international fascination for Afro-Cuban music and brought González to the attention of a global audience. His performance on the Ry Cooder-produced album Buena Vista Social Club made him an international phenomenon. Signing a contract with Cooder's label, World Circuit, González released his debut solo album, Introducing...Ruben Gonzalez, at the age of 78. Although he did not even own his own piano at the time, he plays brilliantly, performing a variety of traditional melodies plus two originals, often quoting other songs and really stretching himself. His chord voicings are distinctive and very inviting, his control of the piano is quite impressive, and the music sings its heart out. The CD was recorded spontaneously over a two-day period with Gonzalez mostly being the lead voice, assisted by trumpeter Manuel Mirabal (who has some fine solos), bassist Orlando "Cachaito" Lopez, several percussionists, and occasionally three background singers.

Showing great promise, as a pianist, from an early age, González graduated from the Cienfuegos Conservatoire in 1934. Although he briefly attended medical school, hoping to become a doctor, the lure of music proved unsurmountable. Leaving school, González moved to Havana to become a full-time musician in 1941. After recording with influential multi-instrumentalist Arsenio Rodriguez, González joined Orquestra de los Hermanos, a group featuring Cuban percussionist Mongo Santamaria. Following an extended period in Panama and Argentina, during which he worked with tango musicians, he returned to Havana and played with a series of cabaret bands. In the early '60s, González joined Enrique Jorrín's band, remaining with the group until Jorrín's death. Although he assumed leadership of the band, González was forced, by arthritis, to announce his retirement. He maintained a low-key presence until 1996. During his return, however, González enjoyed the fame that was long overdue. The octogenarian pianist died in December of 2003 in his home of Havana, Cuba.» (AMG)

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